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Yale Glee Club New Classics
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Vividly capturing the imagery of Matthew Arnold's poetry, this work was commissioned by the Yale Glee Club. With piano.
Dover Beach Revisited
This motet was commissioned by the Yale Glee Club with a text from the Gospel according to St John, chapter 8:10-11 where Jesus tells the woman taken in adultery to go and sin no more. This 6-minute a cappella motet is distinguished by its full vocal textures and deep emotion-filled expression.
Nemo te condemnavit
Winner of the 2004 Emerging Composer Competition awarded by the Yale Glee Club, this work is a setting of the Latin antiphon by Hildegard von Bingen. Alternating between joy and reflection, this buoyant work will be a concert showpiece.
The text of The Dark Hills by Edwin Arlington Robinson offers a beautiful picture of evening settling on the hills, or of the quiet that comes at that moment just before dark falls completely over the land. As the choir sings of hope for the end of all wars, the oboe weaves in and out of the tex
The Dark Hills
Written in May 2005, when the composer was living in the Netherlands, this piece is a set of four songs for a cappella chorus. Each movement addresses one direction of the wind, implying one season of the year--from the gentle spring breezes of the Easterly Wind to the blustery winter gales of th
Ned Rorem has been described as The world's best composer of art songs, and these two contrasting and compelling works for chorus affirm this description. Dirge poignantly expresses the pain of unquiet love, while Live with Me, creates a somewhat playful mood. In 12/8, the vocals dance above the
Two Shakespearean Songs
Zephyr Rounds was the winner of the 2007 Yale Glee Club Emerging Composers Competition. The asymmetry of the 13/8 time signature creates a bustling feeling of perpetual motion, blossoming into a thick texture of contrapuntal exchanges and melodic hocket between voices. The result is an infectious
Winner of the 2009 Yale Glee Club Emerging Composers Competition, this elegant work offers an Old English text with peaceful imagery conveying a sense of compassion, and a haunting, sensitive melody that flows effortlessly from voice to voice. Duration: ca. 4:00.
Weep You No More
Fiesta (Party) from Visiones del llano (Visions of the Plains), a suite of two pieces that expresses the composer's memories of the Venezuelan Plains, is intended to be a representation of the typical folkloric instruments of the area (cuatro, shakers, and Venezuelan harp). The text is onomatopoe
Amanecer (Dawn) from Visions del llano (Visions of the Plains), a suite of two pieces that expresses the composer's memories of the Venezuelan Plains, represents one of the most magical moments of that part of the world. The music depicts the rising of the sun that warms up everything and awakens
Voices, written in memory of Fenno Heath (1926-2008) who served as the conductor of the Yale Glee Club for almost 40 years, is based on a poem by Greek poet Cavafy, best known for his poetic recreations of classic images of ancient Greece. This moving a cappella work uses both Greek (IPA pronunci
This middle movement is rhythmic, dissonant and angry, expressing a release from the pain of death. When paired with the other two Weep You No More and Come, Heavy Sleep, this wonderful piece of programmatic writing is a lesson in musical emotion. Duration: ca. 4:00. Performed by Musica Sacra, K
Burst Forth, My Tears
Written as a dear friend lay dying at a young age, this movement, along with the other two from the set (Weep You No More and Burst Forth, My Tears) call on the singers to represent their deepest feelings of grief, anger, love and finally, rest. Using long sustained pallets of harmonic color and
Come, Heavy Sleep
One of the fresh young voices among American composers, Dominick DiOrio pulls apart Henry Purcell's song Thou Knowest, Lord, The Secrets of Our Hearts and weaves in his own original music to the Gerard Manley Hopkins poem Henry Purcell. Together, with Hopkins text and Purcells music, we are giv
Ode to Purcell
American composer and conductor, Theodore Morrison, has set this lovely William Butler Yeats' poem filled with Irish musical quotes. As an opera composer, Morrison has a strong grasp on the emotional impact made possible through programmatic music and he uses this in effective ways in this piece.
The Wild Swans at Coole
Written for Jeffrey Douma and the Yale Glee Club, Stephen Feigenbaum has created a piece that is at the same time classically contemporary and jazzy, light hearted and sad, insightful and fully transparent. Duration: ca. 5 minutes.
This beautiful text by contemporary poet Annie Finch is a love song describing the most beautiful and intimate images of love - warm hands, gentlest sounds, touches and hours. The text is set apart and isolated in sound, marked by gentle silences until halfway through the piece when the voices fi
A Valentine for Hands
Written for the inauguration ceremony of Yale University's 23rd President, this is especially appropriate for a convocation, commencement, or any academic ceremony. Who is wise is answered in the first section of music: One who learns from all.
Who Is Wise
Rubato phrasings and delicate word painting are the gentle elements that move this beautiful new setting of the iconic Pickthall poem. Shifting tonal centers, divisi in all voice parts and the a cappella setting all lead to music that requires an accomplished choir.
Softly There Falls the Silver Rain
This is the first in a set of three spirituals with the overarching title of Songs for the Journey. They celebrate those who have made the trek to freedom during the era of slavery, inspire those who journey through life presently, and joyously celebrate those whose journeys have ended on this si
This is the 2nd of three songs that create Songs for the Journey. Setting this traditional spiritual in a slow, gut wrenching style, your choir will find endless places to draw inspiration and emotion in the powerful new arrangement for advanced choirs.
They Led My Lord Away
Here is a concert spiritual for the very best choirs. Extended ranges, divisi in all parts, and a tenor solo for that tenor who can really cut it loose. Fun, exciting and the perfect closer for your concert.
Ride the Chariot
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