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Shop Eugene Rogers Choral Series
Total products: 42

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Image not foundCommissioned by Chorus America for the Boston Children's Chorus in memory of the first anniversary of the Boston Bombing. Berry's text describes the uncertainty of the human condition that can be felt in our violent contemporary times, and the fear of the world that our children will inherit. In
$1.80 The Peace of Wild Things
Image not foundGrounded in the ideas, symbols, and threads of songs that have been born out of adversity, Dominick hints at South African freedom songs, 6/8 Gospel anthems and other styles indicative of this style. Megan Levad's text speaks to our need for neighborhood as we all search for ways to be connected
$2.20 Let Us Plant Our Gardens Now
Image not foundAlready available for SATB and SSA, now, at last, an arrangement for men. With a powerful piano accompaniment, your men will really be able to dig in and sing with the full power of their voices.
$1.80 Walk in Jerusalem
Image not foundOne of Korea's most prominent composers, Hyo-Won Woo has crafted a theatrical masterpiece for advanced male choirs. With dramatic directions and an IPA pronunciation guide, many of the initial obstacles are cared for. A link to watch Miss Woo work with Eugene Rogers and the Michigan Men's Glee cl
$2.60 Fishermen's Song, The
Image not foundCommissioned by Eugene Rogers and his University of Michigan Men's Glee for their performance at the 2018 ACDA Central/North Central Regional conference, this arrangement by one of America's leading arrangers of spirituals captures the pain of this world while celebrating the hope of the life yet
$1.88 Steal Away
Image not foundOriginally scored for tenor solo and SATB chorus, this wonderful example of Baroque music is now available for male chorus. Here, Handel's mastery of text painting and his dramatic melismatic skills are on full display.
$1.68 Haste Thee, Nymph
Image not foundBeginning with a soft and rubato guitar introduction followed by rich harmonies by the men, this song breaks into a boisterous and rhythmic song in 6/8. Solos are followed by the ensemble and energy is created to the end.
$2.00 Convidando Esta La Noche
Image not foundCommissioned by the University of Michigan Men's Glee Club. This Megan Levad text centers on World War 1 and the United States joining the Allies fighting there. It remembers our young people who gave their lives in the meadows, hills and towns of Europe. This is a war poem in the form of a large
$2.00 And Yet the Stars
Image not foundThe poetry of Megan Levad and the music of Kristin Kuster fit together like a hand in a glove - like a single, coordinated voice from two thoughtful and creative women. Three movements under one cover creating Suite 1, and written for Eugene Rogers and his University of Michigan Men's Glee club,
$2.00 Given a Body, Suite 1
Image not foundPremiered at the National ACDA Conference in Kansas City by Carrie Tennant and the Vancouver Youth Choir in 2019. This piece combines the different aesthetics of drought politics, dance hall dub and youthful drive to create something that is at once as ordered as it is chaotic.
$2.20 Water Fountain
Image not foundCommissioned by the University of Michigan Men's Glee Club here is a passionate tour de force for advanced men's choirs. Full of rubato and with a text that is powerful while at the same time sensitive this is a wonderful addition to the collegiate repertoire.
$1.80 Teach Me, Old World
Image not foundWith a text by contemporary poet Asher Harris, the composer explores the challenges we face when far from home. A feeling of rubato throughout suggests a constant yearning and thorny harmonics urge us to jump out of our comfort zones.
$1.80 Home
Image not foundFrom the Stephen Sondheim musical Sweeney Todd, this beautiful tenor aria is sung by Anthony in act 1 as he dreams of this beautiful and enchanting character Johanna. In act two Anthony searches through the streets for Johanna trying to rescue her from Sweeney. Todd joins in the song as he dreams
$2.00 Johanna
Image not foundCapturing the importance of the Greenfield poem and the dramatic story of Harriet Tubman's life, Rollo Dilworth has crafted a powerful new spiritual. Tubman was often referred to as a conductor of the Underground Railroad and as the Moses of her people. In recognition of these titles, musical the
$2.00 Harriet Tubman
Image not foundWritten at the request of Eugene Rogers for his new series, Bound for the Promised Land uses three 19th-century melodies: the shape note hymn The Promised Land; and two Appalachian fiddle tunes, Santa Anna's Retreat and The Temperance Reel. Using the Celtic phenomenon called mouth music or liltin
$2.00 Bound for the Promised Land
Image not foundComposer Greg Simon writes that Spirit is, like the poem that inspired it, a fantasia on both the sweeping American landscape of Whitman's text, and the inner heartland to which all artists must listen if they are to form their own scenes. With an a cappella opening in the style of an African-Ame
$2.00 Spirit
Image not foundConsidered by choral scholars to be the first notated vocal polyphony in the Americas, this hymn tune from Peru but written in a European classical style is a wonderful addition to the men's choir repertoire. An IPA pronunciation guide is included with the octavo as well as percussion parts for t
$2.00 Hanacpachap Cussicuinin
Image not foundCombining two traditional spirituals, Come and go with me and Come and go with me to my Father's House, Brandon Waddles has created an arrangement that harkens the sounds of an African-American work song and Southern male gospel quartet. Brandon uses the a cappella style of the spiritual, the ext
$2.00 Come and Go to that Land
Image not foundCommissioned by Jerry Blackstone for the University of Michigan Chamber Choir, Sunset captures the image-rich poem by Paul Lawrence Dunbar. Dunbar's poem captures the familiar and solemn atmosphere that we call dusk or end of day while composer Knaggs evokes a bit of the mystery and nostalgia int
$2.00 Sunset
Image not foundVolta is written with an attempt to answer the question of why love, or beauty, requires nothing of us in order to spark, and yet we will give everything to protect it. When love stirs, it asks for nothing but a world made safe for truth, for beauty, for the tense blooming. This is program music
$2.20 Volta
Image not foundNumber 2 from The Greatest of These (No. 1, Unseen and No. 3, Flight) this movement is written on the virtue of hope. Using a rich yet simple harmonic palette that strives to create a sense of nostalgia. Hope here assures that in the darkest of experiences, when all joy is but a distant flicker o
$1.80 Echoes
Image not foundNumber 3 from The Greatest of These (No. 1, Unseen and No. 2, Echoes) this movement is written on the virtue of love. Set in a repetitive, trance-like exploration of personal experiences. The treatment of these motives creates an energized tone, constantly and unexpectedly bubbling over the top o
$1.80 Flight
Image not foundNumber 1 from The Greatest of These (No. 2, Echoes and No. 3, Flight) this movement, is written on the virtue of faith. It is largely atmospheric as it depicts the endlessly shifting vaporous uncertainty of ones belief in the unprovable. In this second year of releases in the Eugene Rogers Series
$1.80 Unseen
Image not foundThe poet writes that The loving heart begs his lover not to let his kisses die. If his kisses die, then too does their love. This same passion is captured in the four verses of music as the melody passes among voices. Wide dynamic ranges are required from the singers and awareness of where the me
$1.80 Que No Mueran (Don't Let Them Die)